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A Veranda report profiles designer Ashley Whittaker’s ongoing work on a 1930s neo-Georgian estate in Greenwich, Connecticut. The home’s design pairs historic details with playful patterns and practical spaces for a family with five sons; architect George Knight also updated the kitchen and circulation areas.
A Veranda house tour documents designer Ashley Whittaker’s ongoing work on a 1930s neo-Georgian estate in Greenwich, Connecticut, where historic architecture meets bold patterns and rooms designed for everyday family use. The project matters as a concrete example of how the owners and their architect, George Knight, have adapted a large older home for a family with five sons while retaining its formal character.
The owners bought the property about five years before the report, after moving from New York City in search of more room for their five active, sports-playing sons, then aged eight to 18. The estate sits on about six acres and includes mature trees, a pool and pool house, and two detached garages, one with a guest apartment. The house had been expanded over time, including the addition of wings in the 1990s.
Whittaker begins her account of the interiors with the game room, a relatively intimate space in the expansive mansion. It has a wool-covered banquette, brass drinks tables, and an antique Russian cabinet stocked with dominoes, cards, and board games. The striped walls use two 18th-century Indo-Persian borders in a pairing by Pierre Frey, bringing a decorative twist to a traditional pattern.
Knight, whose New Haven firm has experience renovating older Connecticut houses, had previously overseen an update of the same property. In the current work, he reconfigured the kitchen and a back stair, and he and Whittaker widened a doorway between the kitchen and family room. The changes were intended to make the kitchen a more social space and improve the home’s flow, according to Knight.
A Georgian Home for Family Life
The project illustrates the practical choices involved in adapting a historic, expanded house for contemporary family routines without stripping away its architectural identity. The kitchen changes and widened passage connect spaces that had been separated by an older division between service areas and rooms for entertaining. For readers interested in residential design, the tour shows how renovation and furnishing can address function as well as appearance.
Whittaker’s rooms also make the design approach visible: richly patterned upholstery and saturated color are balanced with quieter surfaces and familiar architectural details. In the long living room, for instance, two seating groups and varied chair sizes are meant to make a 30-foot space work for both large gatherings and a small family evening. The result, as presented in the report, is not simply a formal showcase but a home arranged for several scales of use.
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The Estate’s Layered History
The Greenwich property is described as a 1930s neo-Georgian mansion that grew over subsequent decades. Its additions include wings built in the 1990s, as well as separate outdoor and garage facilities. The report does not give the estate’s address or a full architectural history, but it explains why the owners sought Knight’s advice: his firm had renovated older homes in Connecticut, and he had already worked on this house.
Whittaker’s decorating brings together traditional millwork and furnishings with contemporary art, photography, and lively materials. In the living room, creamy Venetian plaster walls temper patterned fabrics in blues, greens, and earthy taupes. In the dining room, peacock-blue lacquered paneling and a chevron floor design draw on a room by designer Albert Hadley that Whittaker and her client had admired. The house’s art collection includes works by Robert Motherwell and Peter Beard, alongside pieces by artists connected to the homeowners.
“There’s a playfulness to the space. It doesn’t take itself too seriously, but at the same time, feels elegant.”
— Ashley Whittaker, designer, as quoted by Veranda
Details Still Not Reported
The report does not identify the homeowners by name, provide the estate’s address, or specify a completion date for the current work. Whittaker’s work is described as ongoing, and the article ends while referring to a new project she and Knight are creating; the available source text does not say what that project is. It also does not provide renovation costs, permits, or a full account of which changes were made during earlier updates versus the current project.
Further Work at the Estate
Whittaker and Knight are continuing work at the house, according to the Veranda report, but the source does not specify the next project’s scope or timeline. No completion date or further public announcement is given. The current account therefore offers a view of the design work in progress rather than a report on a finished renovation.
Key Questions
Where is the estate?
It is in Greenwich, Connecticut. Veranda’s report does not provide the property’s street address.
Who is designing and renovating the house?
Ashley Whittaker is handling the interior design, while architect George Knight is involved in the renovation work. The report says their work is ongoing.
What changes were made to suit the family?
Knight reworked the kitchen and a back stair, and he and Whittaker widened the doorway between the kitchen and family room. The changes were intended to make the kitchen more social and improve movement through the house.
What makes the interiors distinctive?
The interiors combine the home’s traditional Georgian details with patterned fabrics, vivid finishes, and contemporary art. Examples include the striped game-room walls, peacock-blue dining-room paneling, and chevron floor design.
Is the renovation finished?
No completion date is reported. Veranda describes Whittaker’s work as ongoing and mentions a further project with Knight without giving details.
Source: veranda.com
