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Designer Fatih Arslan has published a tour of the lamps in his home, explaining the design and personal history behind each piece. The report describes collectible lamps including Artemide’s Tolomeo Mini, Isamu Noguchi’s Akari series and Louis Poulsen’s PH designs; it is a personal collection account, not a product announcement.
Designer Fatih Arslan has published a tour of the lamps in his home, describing the design histories and personal stories behind a collection that includes Artemide’s Tolomeo Mini, Isamu Noguchi’s Akari paper lamps and Louis Poulsen’s PH lights, much like these artistic home lamps. The report offers readers a first-person look at how collectible lighting functions in a lived-in home, while Arslan cautions that the pieces are costly and are not necessarily worth their prices as practical lighting alone.
Arslan says he often shares lamps on social media and decided to document the pieces he owns after people repeatedly asked him about their brands and models. He presents the collection in no particular order, with photographs taken in his home. His account mixes design background with practical observations: the Tolomeo Mini, designed by Michele De Lucchi and Giancarlo Fassina, is adjustable and suited to a work desk; the Tizio Micro, by Richard Sapper, uses electrically conducting arms and counterweights to hold its position.
Several entries focus on Noguchi’s Akari series, made from washi paper. Arslan describes the lamps’ soft light and light, sculptural forms, and says he has multiple models around his house. He notes that the Akari 3A works best on a low table or cabinet in his view, while the wider Akari 75A has a stronger presence and became the replacement for an Akari 16A in his office. His account says the lamps are still made by hand at the Ozeki workshop in Gifu, Japan.
The collection also includes the Louis Poulsen PH 5 and PH 3/2, designs based on Poul Henningsen’s multi-shade approach to softening light, and an AJ wall lamp by Arne Jacobsen, examples of the considered choices featured in this guide to designer lamps for a considered home. Arslan writes that the PH 3/2’s mouth-blown glass broke in an accident and that he waited months for a replacement. He also says he designed an adaptor to attach his Tolomeo Mini to a USM Haller desk. These details describe his own experience; the report does not present independent testing or a market assessment.
Collectible Design in Daily Use
The report matters chiefly as a first-person account of design objects in use, rather than as a buying guide or product launch. Arslan connects familiar design names to specific decisions in his home: where a lamp sits, how its light feels, and whether its size suits a particular surface. That can help readers understand why collectors value these pieces beyond the basic task of illuminating a room.
His cost caveat also frames the collection honestly. Arslan says the lamps are not cheap and that, judged strictly by price, they may not be worth it; he considers them worthwhile personally because collecting is different from simply buying a lamp. He points out that lower-cost, well-designed options are available from IKEA and other companies, and says vintage stores and fairs can offer better prices for some of the featured designs. The article does not compare current prices, availability or performance across alternatives.
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From Desk Lamps to Akari
The lamps in Arslan’s tour come from several periods and design traditions. According to his account, the Tolomeo was designed in 1987 and won the Compasso d’Oro in 1989. Sapper designed the original Tizio in 1972, initially seeking a better lamp for his own desk. Noguchi began the Akari series in 1951 after visiting Gifu, known for its paper lanterns. Arslan describes washi as the material that gives the Akari lamps their soft glow and permits their sculptural shapes.
Henningsen developed his three-shade system in 1925, Arslan writes; the PH 5 followed in 1958. Jacobsen designed the AJ lamp in 1957 for Copenhagen’s SAS Royal Hotel. These dates place the pieces within a longer history of modern lighting, but Arslan’s article remains centered on his own collection and impressions, not a full history of the designers or companies.
“Are they worth it? Probably not for their price, but for me they are worth every penny.”
— Fatih Arslan
Prices and Practical Comparisons
The article gives no current prices, resale figures or detailed comparisons of the lamps’ brightness, energy use or long-term maintenance. Arslan’s comments about value are explicitly personal, and his observations about how individual models fit particular rooms are not presented as universal guidance. The report also does not verify prices or availability for the lower-cost alternatives he mentions. Readers considering a purchase would need to check current listings and product specifications independently.
More Details for Interested Buyers
Arslan’s report is a tour rather than an announcement of a new product or a stated buying project. It gives readers the names and models needed to research the pieces, but does not say whether he plans to publish additional lamp coverage. Those interested in a particular design can consult the original report and check current information from manufacturers or reputable vintage sellers, including condition and authenticity where relevant. The account provides no indication of a next publication or event.
Key Questions
Who published the lamp tour?
Fatih Arslan published the personal collection report on October 5, 2026. He says the photographs were taken in his home.
Which lamps does the report cover?
The tour includes the Artemide Tolomeo Mini, Richard Sapper’s Tizio Micro, several Noguchi Akari models, Louis Poulsen’s PH 5 and PH 3/2, and an AJ wall lamp by Arne Jacobsen.
Does Arslan say the lamps are worth their prices?
He says they are probably not worth their prices on that basis alone, but are worth it to him personally as a collector. He also notes that more affordable designed lamps and secondhand options exist.
Where are the Akari lamps made?
Arslan says the Akari lamps are still made by hand at the Ozeki workshop in Gifu, Japan, using traditional methods.
Does the report provide a lamp-buying guide?
No. It shares Arslan’s preferences and experiences, but does not provide current prices, a formal comparison of lighting performance or general purchase recommendations.
Source: hn
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